These practices inform a wide umbrella of modern artistic categories including New Genre Public Art, Relational Aesthetics, Dialogical Art, and Participatory Art. This relationship becomes part of the artwork's intended message, impacting both artist and viewer, laying ground for myriad possibilities in experience and interpretation. As Public Art has evolved to not just represent but to also engage with the public sphere many contemporary pieces are being designed with the relationship between the work and its audience in mind.Public Art's definition bloomed to encompass illegal Street Art, artist-initiated public interventions, urban renewal-based commissions, and personal expressions of contemporary artists beyond commercial or partisan limitations. Although Public Art's roots originated in officially sanctioned works to compel historical pride and connect communities through accessible culture, the 1970s saw an expansion of its usage as the ideas of public space as democratic canvas arose within the civil rights movements.
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Yet its main common denominator is its potential to be experienced within a discerned democratic and free sphere, bypassing the narrow and niche audiences of institutions and galleries. Public Art appears in multiple forms that can mimic or depart from more traditional presentations of art including sculptures/statues, site-specific installations, murals, architecture, graffiti, actions, interventions, land and environmental art, performance, and more.Public Art's role serves multiple purposes, often simultaneously: to aesthetically beautify space, to educate, to commemorate important people and events, to act as a tool of political or social propaganda, to activate, to document daily life, and to represent a community's ethos.
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